That got me just under 4MB, which is perfect! If you do a lot of GIF work, an easy way to compress them is to use and to fiddle with their optimization settings to get under 5MB. I even changed the quality down to 5% in Media Encoder, but I kept getting 13.7MB until I brought the size down to 320×180. I tried a few times, first with 50% quality at 640×360, which got me to 13.7MB.
You will find an “Animated GIF” preset, which I resized to something more appropriate like 1280×720 but that still came out at 49MB - way over the 5MB Twitter upload limit. If you are looking for an animated GIF export setting, try exporting through Adobe Media Encoder and searching “GIF” in the presets.
From there Trapcode Mir will fill in the rest of the details and create your seamless loop ready to be exported as a GIF and blasted on Twitter. If you want to prep your seamless loop, check out this quick video from Trapcode creator Peder Norrby ( you create beginning and end keyframes, find the seamless loop options under the Fractal category, step back one frame from your end loop point, mark your end-of-work area, go to the loop point (which should be one frame past where you marked the end to your work area) and click Set End Keyframe. It might seem ridiculous but if you’ve seen what is popular on social media you will know it’s emojis and GIFs. These days GIFs are all the rage, so I am really impressed with the seamless loop option. Some of the newest updates in Mir 2.0 are the ability to add a spiral to the Mir landscape mesh you create (think galaxy) seamless looping under the fractal menu ability to choose between triangles and quads for your surfaces the really cool ability to add a second pass wireframe on top of your surface for that futuristic grid look texture sampling from smooth gradients to solid colors control of the maximums and minimums under z-range (basically allows for easier peaks and valleys) multi-, smoothridge, multi-smoothridge and regular fractals for differing displacements on your textures and improved VRAM management for speedy processing. Mir is versatile and can go from creating smooth ocean floors to spiky mountain tops to extreme wireframe structures. Trapcode Mir is an extremely useful plug-in for those wanting to create futuristic terrains or modern triangulated environments with tunnels and valleys. I am running a tablet with an Intel i7 processor and I was able to get very reasonable performance, even with my camera depth-of-field turned on. I was really surprised at how powerful and smooth Trapcode Form can run. From Grids to Strings and Spheres to Sprites, with enough practice you can create some of the most stunning backgrounds or motion graphics wizardry inside of Trapcode Form, all of which is affected by After Effect lights and cameras in 3D space. The original function of Form was to create particle grids that could be exploded or tightly wound and that would live on forever, as opposed to Particular, which creates particle systems with a birth and a death.Ī simple way to think of how Form works is to imagine the ability to take simple text and transform it into “particles” to create a sandy explosion or turn everyday objects into particles that live forever. It is really a cool way to create a techy kind of look for a HUD (heads up display) or sweet motion graphics piece that needs that futuristic pointillism type look. The more vertices you have in your 3D object, the more detail you will have in your Form. When you load the OBJ file, Form applies particles at each vertices point. Form allows you to load these 3D OBJ files and alter them inside of After Effects. If you’ve used Element 3D by Video CoPilot you probably know that you can load objects from Maxon Cinema 4D into your Adobe After Effects projects pretty easily and, for all intents and purposes, quickly. Trapcode Form 2.1 is best described as a particle system, much like Particular, but with particles that live forever and are used in forms like cubes. While Particular is the most well-known plug-in in the Suite, the following seven all are incredibly useful and can help make you money. Those include Form, Mir, Tao, 3D Stroke, Echospace, Sound Keys and Horizon. In this installment, I am going to blaze through the remaining seven plug-ins that make up the Trapcode Suite. In my recent Red Giant Trapcode Suite 13 for After Effects review, Part 1, I touched on updates to Particular, Shine, Lux and Starglow.
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